Carl Stone, Kid606, Geneva Skeen, Zachary Paul, Touch.

Touch presents...

Carl Stone

Kid606

Geneva Skeen

Zachary Paul

Touch.

Tue · May 14, 2019

8:00 pm

$10.00

This event is 21 and over

Carl Stone
Carl Stone
Carl Stone is one of the pioneers of live computer music, and has been hailed by the Village Voice as “the king of sampling.” and “one of the best composers living in (the USA) today.” He has used computers in live performance since 1986. Stone was born in Los Angeles and now divides his time between Los Angeles and Japan. He studied composition at the California Institute of the Arts with Morton Subotnick and James Tenney and has composed electro-acoustic music almost exclusively since 1972. His works have been performed in the U.S., Canada, Europe, Asia, Australia, South America and the Near East. In addition to his schedule of performance, composition and touring, he is on the faculty of the Department of Media Engineering at Chukyo University in Japan.

A winner of numerous awards for his compositions, including the Freeman Award for the work Hop Ken, Carl Stone is also the recipient of grants from the National Endowment for the Arts, the Rockefeller Foundation and the Foundation for Performance Arts. In 1984 he was commissioned to compose a new work premiered as part of the Olympic Arts Festival in Los Angeles. His music was selected by the dancer/choreographer Bill T. Jones for the production 1-2-3. in that same year. In 1989 he resided for 6 months in Japan under a grant from the Asian Cultural Council and in that same year, The Museum of Contemporary Art, Los Angeles commissioned a new work, Thonburi as part of the radio series “Territory of Art”. In 1990 he was commissioned to create music for a 60-minute program for ZDF Television in West Germany entitled Made in Hollywood. In 1991 he received separate commissions from Michiko Akao (She Gol Jib, for traditional Japanese flute and electronics), Sumire Yoshihara (for percussionist and electronics) and Sony PCL (Recurring Cosmos, for High Definition video and electronics), which was awarded special honors at the International Electric Cinema Festival in Switzerland in 1991. In 1993, he was commissioned by the Paul Dresher Ensemble to create a new work, Ruen Pair, with funds from the Meet the Composer/Reader’s Digest Commissioning Program. In 1994 he was commissioned by the Strings Plus Festival, Kobe to create Mae Ploy, for string quartet and electronics. In that same year he also created Banh Mi So, for ondes martenot and piano, at the request of Takashi Harada and Aki Takahashi. In 1995, he was commissioned by NTT/Japan to create a new work for the internet , Yam Vun Sen, as part of IC95. In 1996, with support from the Rockefeller Foundation, he created music for The Noh Project, a collaboration with choreographer June Watanabe and Noh master Anshin Uchida. In 1997 he was commissioned by Bay Area Pianists and Cal Performances to create a new work, Sa Rit Gol, for disklavier and pianist, as part of the Henry Cowell Centennial Celebration at UC Berkeley. Other festival performances in 1997 included Other Minds (San Francisco) and TonArt (Bern). In 1999 he was invited as Scholar-in-Residence at the Rockefeller Foundation Bellagio Study and Conference Center. In 2001 he served as Artist-in-Residence at the International Academy of Media Arts and Sciences (IAMAS) in Japan, and in that same year he joined the faculty of Chukyo University’s School of Cognitive and Computer Sciences.In 20011 he was named an Artist Fellow by the Civitella Ranieri Foundation in Italy.

Recordings of Carl Stone’s music has been released on New Albion, CBS Sony, Toshiba-EMI, EAM Discs, Wizard Records, Trigram, t:me recordings, New Tone/Robi Droli, Unseen World and various other labels.

Carl Stone’s music has been used by numerous theater directors and choreographers including Hiroshi Koike, Akira Kasai, Bill T. Jones, Setsuko Yamada, Ping Chong, June Watanabe, Kuniko Kisanuki, Rudy Perez, Hae Kyung Lee, and Blondell Cummings. Musical collaborations include those with Akaihirume, Michiko Akao, Pearl Alexander, Samm Bennett, Sarah Cahill, Gianni Gebbia, Mineko Grimmer, Haco, Alfred Harth, Madoka Kono, Gil Kuno, Min Xiao-Fen, Otomo Yoshihide, Kazue Sawai, Elliot Sharp, Yasuaki Shimizu, Stelarc, Aki Takahashi, Yuji Takahashi, Tosha Meisho, Kazuhisa Uchihashi, Wu Na, Wu Wei, Michiyo Yagi, Miki Yui and z’ev.

Carl Stone served as President of the American Music Center from 1992-95. He was the Director of Meet the Composer/California from 1981-1997, and Music Director of KPFK-fm in Los Angeles from 1978-1981. He often hosts a weekly program on KPFA-fm in the Bay Area USA. Other activities have included serving as a regular columnist for Sound & Recording Magazine in Japan, serving as web editor for Other Minds, a world wide web site devoted to New Music, and for the official web site of the John Cage Trust.
Kid606
Kid606
Miguel De Pedro PKA Kid606 has been at the forefront of the underground electronic music scene for over 20 years, After countless high energy performances at Rock shows, Art Galleries, DIY spaces, raves, dance clubs, Museums, Festivals, and Castles all over the world, Miguel is currently living in Los Angeles focusing on ambient/beatless compositions and live improvised electronic performance. Notable Remixes/collaborations: Mike Patton, Actress, Xiu Xiu, Depeche Mode, DJ Rupture, Matmos, Christopher Willits, Josh Hill, Machine Drum, The Rapture, The Bug, Amon Tobin, Lesser, Ward 21, Gregory Isaacs, Peaches, Foetus, Saul Williams, The Locust. Miguel also runs Tigerbeat6and curates the Perpetual Dawn and Perpetual Drone events in Los Angeles.
Geneva Skeen
Geneva Skeen
Influenced by écriture féminine, alchemical metaphors, and a range of musical traditions ranging from holy mysticism to industrial, Skeen works with with recordings, digital presets, voice, and mixed instrumentation. Her performances, publications, and installations focus on the contrast between facing the finite resources of our physical landscapes and their infinite digital representations. She is a MFA candidate at Bard, a member of VOLUME, and has recently released full-length works on Dragon's Eye Recordings, Crystalline Morphologies, and Room40.
Zachary Paul
A Los Angeles-based violinist and composer interested in perception, the transportive nature of long durations, and trance states. His work explores the contrast between stasis and movement and questions the possibility of depicting both synchronously. In live performance, he builds lush soundscapes via improvisation, representing his immediate experience & the space being performed in. His work draws from a long lineage of artists exploring sustained tones within organic performance, including Tony Conrad, Pauline Oliveros, and La Monte Young. Zachary is represented by Touch Music and currently a participant in Touch's curated mentorship program. His 1st album is released by Touch on 12th April 2019.
Touch.
Touch.
Since its first release in 1982, Touch has created audio-visual productions that combine innovation with a level of care and attention that has made it the most enduring of any independent company of its time.
Venue Information:
Zebulon
2478 N Fletcher Dr
Los Angeles, CA, 90039
http://zebulon.la/